Arts and CultureAcademicsResearchEmory College Perhaps it was the spot-on descriptions of the rural Georgia landscape, or those eccentric Southern characters that seemed so peculiar, yet hauntingly familiar. Whatever the pull, when Emory senior Sarah Freeman first read the works of the iconic Southern writer back in high school, she recalls an instant bond. While at Emory, she took classes with Anna Leo, an associate professor in the Department of Theatre and Dance, whose own interests "revolve around poetry as a structural basis for choreographic work. You arrange, edit, rearrange, start over again and move things around until you find the combination that suits you.
Arts and CultureAcademicsResearchEmory College Perhaps it was the spot-on descriptions of the rural Georgia landscape, or Flannery oconnor thesis eccentric Southern characters that seemed so peculiar, yet hauntingly familiar. Or maybe it was the sheer authenticity of Flannery O'Connor's words, a sense of kinship she felt with a writer who had lived and worked only an hour away from her own hometown.
Whatever the pull, when Emory senior Sarah Freeman first read the works of the iconic Southern writer Flannery oconnor thesis in high school, she recalls an instant bond. Rediscovering O'Connor's work while at Emory only intensified her interest.
So when Freeman sought inspiration for choreographing a dance for her senior honors thesis, she found herself turning to topics that had long intrigued her — O'Connor's life and the writings. This week, the public is invited to see Freeman blend the worlds of dance and literature at a free evening-length dance concert inspired by O'Connor.
It's been an incredible opportunity to marry my passions. While at Emory, she took classes with Anna Leo, an associate professor in the Department of Theatre and Dance, whose own interests "revolve around poetry as a structural basis for choreographic work.
So when Freeman expressed an interest in using narrative text to inspire her choreography, Leo suggested a senior honor's project rooted in both disciplines. When you're creating something, you're trying to encapsulate an idea.
You arrange, edit, rearrange, start over again and move things around until you find the combination that suits you. She'll try anything," she says. The new archive included never-before-available writings and drawings, more than letters from O'Connor to her mother, unpublished short stories, a prayer journal, diaries, family photographs and personal items.
Those items — especially the letters a young O'Connor wrote while she was in college — would provide a profound influence, Freeman says. Just to see her handwriting had such an impact on me.
I've actually learned a great deal from Sarah and about O'Connor through this lens of dance," Magee says. Increasingly, MARBL is being utilized as a seedbed for inspiration, scholarship and teaching in the arts, according to Magee. And students like Sarah have embraced those opportunities. Freeman began rehearsals in earnest in September, what she describes as a "collaborative process" explored in tandem with her dancers.
Two pieces in her concert are directly inspired by "The Displaced Person," an O'Connor short story thought to have been based upon a refugee family hired to work at Andalusia, her mother's dairy farm, where the writer lived from until her death from complications of lupus in As an experiment, Freeman created two different dances inspired by the same short story.
For one, the dancers were provided only "motifs or snippets of dialogue; they didn't know the full plot of the story," she says. A second dance was built upon the complete story line. Both dances will be presented separately, divided by a solo work performed by Freeman. To gain insight for her solo, Freeman visited Andalusia earlier this semester — an iconic Southern setting, with its screened porch and rocking chairs, rolling pastures and towering shade trees.
Traveling from her own home in Warner Robins to Milledgeville, Freeman speculated what it must have been like for the writer "as a young person just starting life to have to move back home — her room, the grounds, it was so beautiful, but also physically confining.
The result is a solo that touches upon issues of displacement and disability, as well as lifelong questions woven throughout O'Connor's life and work, Freeman says.Thesis on Flannery O'Connor's Good Country People Essay Words Jun 20th, 4 Pages Thesis Statement: In Flannery O'Connor's short story "Good Country People," the expulsion of the outside world allows for more emphasis on the symbolic nature of each of the active characters.
Oct 09, · A Good Man is Hard to Find Flannery O'Connor Thesis Help? What would be a good thesis statement for the short story by Flannery Oconnor a good man is hard to find? Flannery O'Connor's "A Good Man is Hard to Find" thesis statement?Status: Resolved.
Flannery O'Connor's literary style has been referred to as a quintessential example of the American Southern Gothic tradition.
Her use of a variant of Southern dialects ; the casual way that she tosses about inferences to southern racial discord; and most particularly, the brutal normalcy of tragedy and despair. Flannery O'Connor - essays, papers, and reports on Flannery O'Connor - critical essays.
Flannery O’Connor and the Use of the Grotesque Much of Flannery O’Connor’s writing revolves around themes of redemption, the concept or grace, or a character’s view of the world being challenged.
O'Connor's Short Stories Flannery O'Connor. SHARE! Home; Literature Notes; O'Connor's Short Stories; About O'Connor's Short Stories Bookmark this page Manage My Reading the experimentation with atmosphere and tone which characterized the five stories in her master's thesis at Iowa and the seeming uncertainty about the direction .